Sunday, September 30, 2012

Banned Books Week: Celebrating 30 Years of Liberating Literature

I've posted previously about the Banned Books project I do with my ENG 111 students at the college where I teach.  This summer I teamed up with our phenomenal librarian to order more books for the students and to create a Library Guide (LibGuide for short) to aid students in research and get them involved in more areas on campus.  You can check out my guide here.*

Although I've always discussed Banned Books Week with the students as I introduced their project, I have never had the resources, support, or momentum to host a full-fledged Banned Books Week event...until now.  My librarian, media specialist, and I have teamed up to host a "read-in" for students during Banned Books Week to celebrate our freedom to read.  We will gather in the library and take turns sharing passages from our favorite banned books.  Last year, I posted my first encounter with censorship through Judy Blume's Forever.  This year I would like to share a favorite passage from a banned book.** 

"They carried USO stationery and pencils and pens. They carried Sterno, safety pins, trip flares, signal flares, spools of wire, razor blades, chewing tobacco, liberated joss sticks and statuettes of the smiling Buddha, candles, grease pencils, The Stars and Stripes, fingernail clippers, Psy Ops leaflets, bush hats, bolos, and much more. Twice a week, when the resupply choppers came in, they carried hot chow in green mermite cans and large canvas bags filled with iced beer and soda pop. They carried plastic water containers, each with a 2-gallon capacity. Mitchell Sanders carried a set of starched tiger fatigues for special occasions. Henry Dobbins carried Black Flag insecticide. Dave Jensen carried empty sandbags that could be filled at night for added protection. Lee Strunk carried tanning lotion. Some things they carried in common. Taking turns, they carried the big PRC-77 scrambler radio, which weighed 30 pounds with its battery. They shared the weight of memory. They took up what others could no longer bear. Often, they carried each other, the wounded or weak. They carried infections. They carried chess sets, basketballs, Vietnamese-English dictionaries, insignia of rank, Bronze Stars and Purple Hearts, plastic cards imprinted with the Code of Conduct. They carried diseases, among them malaria and dysentery. They carried lice and ringworm and leeches and paddy algae and various rots and molds. They carried the land itself—Vietnam, the place, the soil—a powdery orange-red dust that covered their boots and fatigues and faces. They carried the sky. The whole atmosphere, they carried it, the humidity, the monsoons, the stink of fungus and decay, all of it, they carried gravity. They moved like mules. By daylight they took sniper fire, at night they were mortared, but it was not battle, it was just the endless march, village to village, without purpose, nothing won or lost. They marched for the sake of the march. They plodded along slowly, dumbly, leaning forward against the heat, unthinking, all blood and bone, simple grunts, soldiering with their legs, toiling up the hills and down into the paddies and across the rivers and up again and down, just humping, one step and then the next and then another, but no volition, no will, because it was automatic, it was anatomy, and the war was entirely a matter of posture and carriage, the hump was everything, a kind of inertia, a kind of emptiness, a dullness of desire and intellect and conscience and hope and human sensibility. Their principles were in their feet. Their calculations were biological. They had no sense of strategy or mission. They searched the villages without knowing what to look for, not caring, kicking over jars of rice, frisking children and old men, blowing tunnels, sometimes setting fires and sometimes not, then forming up and moving on to the next village, then other villages, where it would always be the same. They carried their own lives. The pressures were enormous. In the heat of early afternoon, they would remove their helmets and flak jackets, walking bare, which was dangerous but which helped ease the strain. They would often discard things along the route of march. Purely for comfort, they would throw away rations, blow their Claymores and grenades, no matter, because by nightfall the resupply choppers would arrive with more of the same, then a day or two later still more, fresh watermelons and crates of ammunition and sunglasses and woolen sweaters—the resources were stunning—sparklers for the Fourth of July, colored eggs for Easter—it was the great American war chest—the fruits of science, the smokestacks, the canneries, the arsenals at Hartford, the Minnesota forests, the machine shops, the vast fields of corn and wheat—they carried like freight trains; they carried it on their backs and shoulders—and for all the ambiguities of Vietnam, all the mysteries and unknowns, there was at least the single abiding certainty that they would never be at a loss for things to carry."
- The Things They Carried Tim O'Brien


*Please contact me in the comments section below if you would like to use this LibGuide for any reason other than personal exploration and study, i.e. in a professional or academic setting.

**Several organizations have teamed up to host a Virtual Read-Out in celebration of Banned Books Week in which readers post videos of themselves reading their favorite passages.  You can get more information on participating here.  I, however, am old school and will merely share the written word.

Sunday, September 16, 2012

Fall Book Previews

I was asked to do a segment for the local TV/Radio station at my school, and I was so excited to a list of new and upcoming releases for the fall.  After shooting the segment with one of my students, I thought, who better to share this list with than all my friends in the blogosphere*?  Mark your calendars for these new reads!

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The approach of fall indicates a time of change – a new semester has started, the leaves are turning, and the weather is getting colder.  If you are looking for something to ease the transition, check out one of these new releases.

Bloggers have been raving about Gillian Flynn’s Gone Girl since its publication late this summer.  On the surface, Nick and Amy Dunne’s marriage looks perfect, but that façade is shattered when Amy goes missing on their fifth wedding anniversary.  Nick swears he is innocent, but are things really as they seem?  Told through alternating perspectives, Gone Girl will make an excellent, suspenseful companion on a cool fall evening.

If you prefer contemporary issues to suspense, check out Ellen Hopkins.  Hopkins will debut her newest young adult and adult novels this fall.  The young adult novel, Tilt, was released on September 11.  Tilt is a companion novel to Hopkins’ first adult novel, Triangles.  Where Triangles chronicled the lives of three women in various stages of their marriage, Tilt presents the perspective of those women’s teenage children.  Hopkins is well-known for tackling tough issues like eating disorders, teen pregnancy, and homosexuality.  This book will be a gritty, realistic portrait of teen life today.  Due out later this fall, on November 13, is Hopkins’ second adult novel, Collateral.  Collateral focuses on military families and the struggles they face in a time of national insecurity.  Both of Hopkins’ novels are presented in verse, giving her writing an artistic flair.  Don’t let their hefty size fool you.  Hopkins’ novels are always quick, compelling reads.

If you see reading as more of an escape into a world of mythology and action, look no further than young adult author Rick Riordan.  Riordan is famous for his Percy Jackson series about the travels and trials of a young demigod, born to Greek god Poseidon.  The third book in his Heroes of Olympus series entitled The Mark of Athena is due to drop October 2nd of this year.  In this series, Riordan teams Greek and Roman demigods on a quest to discover and close the Doors of Death.  Will the Prophecy of the Seven be fulfilled or will the seven demigods chosen for the assignment fail?

Last but not least, mark your calendars on September 27 for the release of J. K. Rowling’s much anticipated first novel since the close of the Harry Potter series.  The Casual Vacancy is adult political fiction, accomplishing Rowling’s desire to leave the fantastical world of Harry Potter behind her.  Set in the town of Pagford, a tiny English hamlet, the death of a prominent politician turns the town into a warzone as the council scrambles to hold an election to fill the parish seat.  Despite the new genre, knowing Rowling, readers are promised a complex, satisfactory storytelling experience.

Check out your local library this fall for these new books, and happy reading!

*Is this word spelled correctly?  Is blogosphere a technical term?

Wednesday, September 12, 2012

A New Perspective

A few days ago, as part of The Poetry Project, hosted by Regular Rumination and The Written World, I shared a poem by Stevie Smith entitled "Not Waving But Drowning."  My previous post shared this poem in the context of my current stress and workload without bothering to comment on the structure or meaning of the poem itself.  As I tell my students, all reading and writing begins in a subjective place, with you orienting yourself to text and topic; however, what distinguishes a good scholar is the ability to then step back and take a more objective look at the piece, which is what I would like to do now with Smith's poem.

I love two things about this piece:
  1. The repetition
  2. It's message about perspective
In the poem, the title "not waving but drowning" is integrated into the opening and closing stanzas.  Both times it follows similar yet markedly different lines about how "far out" the speaker of the poem is.  In the first stanza, the speaker addresses the reader using the pronoun you - almost accusingly - stating, "I was much further out than you thought" (emphasis mine).  In the concluding stanza, the speaker, with an almost melancholic turn, states to no one in particular that "I was much too far out all my life." This shift in perspective from open to close is notable because the speaker is no longer focusing on an isolated event but all the events that made up her entire life.  "All my life," says the speaker, I have been the odd man out, and no one noticed, no one cared.

The question the reader is left to ask is this: Who was the speaker fooling?  Herself or those around her?  For whom did the show play out?  Is the speaker realizing for the first time that she has been hiding her true feelings, her drowning, behind a seemingly happy-go-lucky facade of waving, or is she accusing the reader of not paying close attention and mistakenly interpreting the panicked flailing of the drowning as an "all's well here!" wave?

The answer will vary depending on the reader and the reader's current state of mind as I have already demonstrated in my two different posts on the poem.  Ultimately, I think Smith is encouraging us to stop and look again from a different angle.  We may be surprised by what we see.

If you would like to join the conversation, comment below or visit Regular Rumination for information about The Poetry Project.  See a list of current participants here.

Tuesday, September 11, 2012

Top Ten Books That Make Me Think

Image from The Broke and the Bookish

It's been a while since I've participated in a Top Ten Tuesday hosted by The Broke and the Bookish.  It's not that their topics haven't appealed to me; it's just I've been so damn busy.  I decided today to take the night off and catch up on blogging and blog reading.  Since today is 9/11, I've been in a bit of a reflective mood, and I really responded to the theme for today's Top Ten Tuesday - books that made me think.
  1. Falling Man by Don DeLillo offers a post-9/11 look at the world.
  2. Extremely Loud and Incredibly Close by Jonathon Safran Foer provides another, less literary, portrait of post-9/11 USA.
  3. Great House by Nicole Krauss (wife of Jonathon Safran Foer): This book of interconnected narratives had me marveling anew at Krauss' genius fifteen minutes after finishing it.  To this day, I return to it as the epitome of literary fiction again and again.
  4. The Book Thief by Marcus Zusak: I have always been a fan of Holocaust fiction - a bit of a dark interest - and The Book Thief delivers a compelling, historical account from a different perspective than other Holocaust tales.  The main narrator is death, but the protagonist is a little German girl who befriends an older, male Jew.
  5. The Hunger Games series by Suzanne Collins: I am dying to teach these books in the Ethics course at my college.  It is ripe with political issues and more fundamental questions of good versus evil.  Although these issues are certainly apparent in the series' namesake, I think they are most fully explored in Mockingjay
  6. The Chronicles of Narnia by C. S. Lewis is a classic example of Christian fiction forcing the reader to think about what lies beyond, but Lewis does not force his views on the reader, which I think is important in any piece of religious fiction.
  7. The Knife of Never Letting Go by Patrick Ness: I am thisclose to finishing the first book in Ness' Chaos Walking series, and I love it, but it is so intense.  You think The Hunger Games is violent and ethically challenged?  Check out The Knife of Never Letting Go.  This is some deep stuff, and I have to keep putting it down because I am so overwhelmed, but my total investment in the main characters ensures I will pick it up again, and soon.
  8. The Giver by Lois Lowry: I didn't read The Giver until I was in graduate school, and I'm glad I didn't because I think I was better able to understand the complexity of the responsibility bestowed upon Jonah as well as the shocking actions of his society.
  9. The Harry Potter series by J. K. Rowling provides many pearls of wisdom on loyalty, family, friends, and courage, but it is Rowling's emphasis on memory and the power of remembrance that has me returning to this series again and again.
  10. The Handmaid's Tale by Margaret Atwood/Bumped and Thumped by Megan McCafferty: A classic and contemporary look at women's role in society.  Both terrifying and brilliant.
Honorable Mention: Revolutionary Road (the movie although I think the book would be even more thought provoking!): I fully admit to not having read Revolutionary Road although it is on my TBR.  I did watch the movie with Kate Winselt and Leonardo DiCaprio, and I was struck by the overarching theme best expressed in Betty Friedan's breakthrough study The Feminine Mystique as the "problem with no name."  It really makes you wonder, how can someone who seemingly has everything be so dissatisfied with life and his/her surroundings?  Where does fundamental happiness lie?

I cheated with number 10 and my honorable mention, but it's been a while since I've participated, so I'm making up for lost time.  Also, my list is YA heavy, but I think this goes to show that YA Lit. is an area worth studying.  It can teach readers.  This video from Ted Ed that I discovered through NCTE (National Council of Teachers of English) really conveys that idea better and in a more interesting way than I could.



Thursday, September 6, 2012

Not Waving But Drowning by Stevie Smith

Posted as part of The Poetry Project hosted by Regular Rumination and The Written World

Things have been CRAZY at work. Normally by four weeks in, the students and I have established a routine and worked out the beginning of the semester kinks; however, we've been contending with new books, new software, and renovations that have disrupted the flow of the semester. Gradually, though, I see us getting in the groove.

This morning when I got up unbearably early to prepare for a day of teaching and back to back conferences, I was reminded of British poet Stevie Smith's, "Not Waving but Drowning." I had a phenomenal Brit. Lit. Poetry teacher in graduate school who introduced me to Stevie Smith and other intriguing British, Scottish, and Irish women poets. This particular poem struck me as a representation of my life in graduate school at the time. I put on the happy face; I was successful; no complaints here! But in reality I was not "waving" cheerily from the shore but drowning under a mountain of stress and research and grading. I made it though, and I think I'm better for it. I know I will say the same from the other side of this tempest I'm currently swirling in, but until then, I'm not waving but drowning.

Not Waving But Drowning
By Stevie Smith

Nobody heard him, the dead man,
But still he lay moaning:
I was much further out than you thought
And not waving but drowning.

Poor chap, he always loved larking
And now he’s dead
It must have been too cold for him his heart gave way,
They said.

Oh, no no no, it was too cold always
(Still the dead one lay moaning)
I was much too far out all my life
And not waving but drowning.

Published 1957